
I don't know who this child belongs to, but I fully endorse the expression on his face.
A few weeks ago I was linked to this blog entry on Insomnia. At first, I felt compelled to write a response to it, but so ridiculous was the article that I couldn’t come up with anything beyond “What. The. Hell?!”… because how exactly are you meant to respond to such irrational, misogynistic vitriol?
I was able to ignore it for the most part because it was all too crazy for me to take seriously, but it kept being brought up in conversations that I had with friends and other game writers. The people I spoke with all voiced their frustrations at the piece not so much because they disagreed with the ideas in Kierkegaard’s rant, but because he did it in a way that now makes it impossible for anyone to criticise a female game writer without being associated with his hideous diatribe.
There are valid criticisms to be made about everyone’s writing, and there are plenty that can be made about the writing of many of the women who work in the industry. Not everyone is going to like Leigh Alexander’s work; not everyone is going to be a fan of Tracey John, and there will be people who don’t like Nadia Oxford’s writing. There will be people who find me intolerable. I think all writers should be kept in check and be called out when they’re doing a particularly bad job, but Kierkegaard’s method isn’t the right way to do it. If anything, he has been completely counter-productive because now, anyone who has legitimate criticisms of well-known female writers like Leigh Alexander won’t be able to voice their thoughts without conjuring thoughts of Kierkegaard’s needlessly abusive and highly sexist opinion piece.
So that’s one small step forward for Insomnia in their page hits for this month, and one giant leap back for games writing. Thanks, dude. You’ve ruined it for everyone.

